Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, February 8, 2009

TONE DEAF: Part Three

A CAPPELLA
        Despite my hatred of piano lessons and relative indifference to music, as posted in Tone Deaf: Part One (Piano Lessons) and Tone Deaf: Part Two (The Missing Gene) somehow almost everyone I ever dated seriously or married was/is extremely interested in music. I wonder what a Psychiatrist would have to say about that. There have been far too many to write about here, but I will mention a few.

        Of course the first man in my life was my father, a pianist and church organist. He also became my piano (and later organ) teacher. See Part One of this series: Piano Lessons for more information on our relationship

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        My first boyfriend, J, was a saxophone player in his high school band and orchestra. His family belonged to a conservative Christian sect and he was not allowed to listen to rock music, but he loved popular music and listened to it anyway. He just had to remember, before getting out of the family car, to set the radio back to classical music or to Christian radio. 
        We met on a blind date at the beginning of the summer just before I turned 16.  J was tall, handsome, and blond. He gave me my first kiss and I fell hard for him. But while I lived in a northern suburb, he lived on the southern side of the city, nearly an hour’s drive. When school started, his parents made him stop seeing me because I lived so far away and they expected J to perform at the top of his class during his senior year. His family’s extreme religious expectations would have eventually turned me off, I'm sure, but the break up from my first serious boyfriend was devastating.

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        My first college boyfriend, D, was a French horn player and music major. He and his friends had a small combo in which he played piano. We rarely attended college social events because he was always playing for a school dance, a frat party, or a local wedding. He was involved in rehearsals and performances of the marching band and for the annual musical. He played his horn in a brass ensemble and the university’s orchestra. He often played piano accompaniment for vocalists at music recitals.
        Music majors were expected to practice every night in the music building’s practice studios and they had to attend every musical performance on campus. There were performances by undergraduate and graduate students, visiting musicians or orchestras, both instrumental and vocal concerts ---several each week. I started attending the concerts with D, not to hear the music, but because it was one of the only chances we had to see each other.
        In college, I was the only person in my Music Appreciation class who earned an A ---partially because of what I had learned from my hated piano lessons, and partially because of D’s help.
        I learned one valuable musical lesson from D. He taught me to listen to the lowest notes of music. If I listened to, for example, the bass, I could hear all the music above it. If I just listened to the melody, that was all I heard.

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        Fast forward to my first husband D2. Although he was not a musician, he was extremely into rock music. Despite financial struggles, he often purchased expensive tickets for live performances. We attended a Led Zeppelin concert at the local stadium. People in the audience were throwing firecrackers into the crowd. When I was in elementary school, a boy in my school had blown off several fingers with a firecracker, so I knew the damage they could cause. I was afraid someone would lose a finger or an eye. I insisted we move to the highest section in the stadium, far above the firecracker crazies.
        Sometime later, we attended a B.B. King concert at a large municipal auditorium. The couple behind us talked throughout the entire concert about which kind of pipe they used for smoking marijuana. When others asked them to be quiet, they were told to f*** off. The guy was rather large and had a menacing appearance, so everyone let it go. But I was fuming. Why would someone pay good money to attend a concert, then not listen to any of it? Then some audience members started to light sparklers in the crowded seats. Finally, B.B. King stopped the show to announce he could not continue because of the fire hazard ---and finally the idiots put away the sparklers.
        We attended an Alice Cooper concert at another public arena. While most of the seats were tiered, we were on a flat floor on uncomfortable folding chairs. When the people in front of us stood on their seats, we could see nothing. It was Friday night. I had been on my feet all day ---actually all week ---teaching school. While D2 stood on his seat, I refused to stand up. So I sat through the concert and saw nothing. After that, I told my husband the next time he wanted to attend a concert, to buy one ticket. With the money he would have spent on my ticket, he could buy himself recordings of the artist and listen as often as he wished, because I had attended my last rock concert.

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        My second and current husband, K, played classical guitar, which he had taught himself. He had taken voice lessons, studying opera while he worked in New York City. His job there was in a recording studio of the music department of a major university. Also, he had built himself a clavichord which he also taught himself to play.
        K listened to a classical music station or classical recordings. He rented opera videos from the library. I don’t have much interest in either classical or operatic music, but, as explained in a previous post, I don’t have much interest in any music. Willing to learn, I asked my husband to tell me the story lines of the operas he watched. Soon I began to notice a trend. After that, I'd walk into the room where he was watching or listening to an opera and I would ask, “Which woman dies at the end of this one?”  
        My husband claims the only time I seem to be interested in music is when some oldie comes on the radio and I get silly and start swaying to the beat while mouthing the lyrics.
        We have a huge detached garage. If it weren’t filled with tools and other junk, we could store five cars. At a secondhand shop, we found some old traffic lights. One is a stop light that is wired to flash green, yellow, red about every five seconds. The other is a walk/don’t walk sign which flashes between the two options. We installed both in the garage. 
        In order to entice me into helping him with a project in the garage, one night K turned off the classical music and cranked up the speakers on an oldies station. When we were finishing for the night, we turned off the overhead fluorescent lights. Neither of us likes to dance much, but when “Put Your Head on My Shoulder” came on the radio, he grabbed me for a twirl around the garage floor. With only the flashing traffic lights, it was a romantic moment, almost as if we had our own private disco.

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        I called this piece A CAPPELLA, which means "unaccompanied." I thought it was an appropriate title because the men in my life (father, boyfriends, and husbands) have had to, for the most part, enjoy their music alone, unaccompanied by me.

(©2009, C.J. Peiffer)

Please see my previous posts on this topic

Monday, January 26, 2009

TONE DEAF: Part Two



The Missing Gene

        As I explained in Part One of TONE DEAF: Piano Lessons, after being forced to take music lessons from age 5 to 17 ---which I hated ---I am most certainly not a musician.
        I’m not much interested in music at all. When I listen to the radio, I listen to news on NPR. While driving I prefer listening to audio books. When my husband and I watch a movie, afterward he often comments on the music. I usually have nothing to say about it, because I haven’t even noticed it unless it was terribly loud and obnoxious, or unless the film was about music, such as recent films about Ray Charles or Edith Piaf.
        I wouldn’t want to live in a world without music. I like many kinds of music, but it isn’t a big part of my life.

        However, a few months ago, I decided to start a playlist on the internet. I spent a week listening to song excerpts, choosing 150 pieces that would play from number 1 to 150 and then start over. I chose my favorite artists and songs and found a few new ones. I purposely mixed the music selections so I would hear rock followed by bossa nova followed by a ballad, maybe an older song followed by a newer one. For an artist I particularly liked, I spread his/her music throughout the list so I wouldn’t hear two songs from one artist back to back. Despite hating to practice classical pieces on the piano as a child, I even chose some classical works to interperse with popular tunes.
        I listened to my playlist for four days while working on digital art work or surfing the web. And then, one day I was hit with the ultimate case of “Candy Man Syndrome.”


        A few years ago, NPR did a piece about why we get a tune stuck in our heads and can’t seem to rid ourselves of it. Throughout the in-depth piece, the Candy Man song played in the background. NPR received a ton of letters from listeners complaining they couldn’t get that insipid song out of their heads, thus the phenomena was dubbed the “Candy Man Syndrome.”

        When I was in college, one of the guys I dated was a music major. Each spring, he and his friends were involved in an annual musical performance, he in the orchestra and the others as singers. Rehearsals started near the end of January and continued through several weeks of performances in April. Twenty years later, I ran into one of those guys and mentioned the spring musicals.
        He cringed. Through clenched teeth, he said, “If I ever have to listen to even one song from 'My Fair Lady' or 'The Music Man," ever, I will kill someone.”
        “But you’re a music teacher. Don’t you listen to the students practicing over and over for performances?” I asked.
        “I don’t listen,” he replied.
        I wonder how someone can star in a musical on Broadway, six performances a week, for months or even years. It must be torturous.

        Once the “Candy Man Syndrome” kicked in for me after only four days, I couldn’t get the music from my playlist out of my head. It seemed like some sort of obsessive-compulsive behavior. I had a headache and it was difficult to concentrate on anything except those songs on the continuous loop in my head. After a few days, they waned a bit, but it took nearly a week for the syndrome to let go of me, and even now, as I write this, I am fighting the urge to think about those songs, afraid the syndrome will return.
        I haven’t been back to my playlist since the day the Candy Man came to visit.
        In high school, when I listened to popular music on the radio, I would fall in love with a new song. But, the radio station played each popular song so often that it took only a few days for me to hate the tune I loved only a few days earlier.

        I’ve heard of a psychological disorder in which an individual is compelled to repeat a word, phrase or movement over and over. Perhaps I should claim the discovery of a new psychological ailment called Audio Repetition Avoidance Disorder, for those, like me, who can’t stand hearing the same music again and again.

        Perhaps that explains my extreme hatred of piano lessons. Is it possible that it wasn’t the playing of the piano that was the problem, nor the music I was expected to learn, but having to practice the same tune until I learned to play it well? Like listening to my play list, the repetition of practice may have caused me to became physically sick of the music.

        Or, maybe, I just didn’t inherit the music gene from my father.







        


        That being said, why have I almost always dated and/or married musicians or people who are extremely interested in music? I will explore that psychological disorder in a future post, TONE DEAF: Part Three


(©2009, C.J.Peiffer)



Sunday, December 28, 2008

TONE DEAF: Part One

PIANO LESSONS

        My father, a pianist and organist, gave my older sister her first piano lesson when she was seven. I was four and begged to learn the piano, too. Finally, my father gave me my first lesson when I turned five.
        By age eight I had lost interest, but my parents insisted that I continue with my lessons. Maybe I would have been more interested if my father had allowed me to learn popular songs instead of classical pieces. It may not have mattered, because I was a terrible piano student.
        During summer months when I was supposed to be practicing, I would disappear with other neighborhood children, playing in the woods. During the school year, I would beg off by claiming I had tons of homework, or a headache or stomach ache. Although it was my father who gave me lessons, it was my mother who dealt with my refusal to practice. We had many altercations about it.
        There were times when my father was so angry at me for not knowing the piece I was supposed to have practiced, that he sat next to me on the piano bench with a paddle, making me practice for hours until I learned the music. At times, I got a good swat.
        Twice we held recitals in our home. My father played the piano and organ. My sister and I played the piano. My father had found a piano piece for six hands which my mother played along with my sister and me.
         I had to practice the music for my performance for months and months so I wouldn’t embarrass myself or my family. For one recital I played the “Minuet in G,” which I had to learn by heart. In order not to go crazy, rehearsing the same piece over and over, I’d let my mind wander elsewhere. Then suddenly, I couldn’t remember where I was in the music.
        I begged to be able to take art lessons or anything else. Finally when I was in fifth grade, my parents signed me up for ballet, but I still had to play the piano. I was in that awkward preteen stage, so after two years I lost interest in dancing, too.

        When I was around twelve, my mother took a part-time job at a department store. She worked until 9 pm two week nights. My sister was in high school and involved in afterschool activities, so she usually arrived home long after I did. When my sister arrived home, and later my parents, they would each ask if I had practiced. I don’t understand why they believed me when I said that I had. They couldn’t get me to practice when they were there. Why would I do it when no one else was home?
        My sister eventually took organ lessons from the high school’s music teacher and later from a church organist. My parents never suggested I take lessons from anyone but my father. They may have been embarrassed that I played so poorly or perhaps they knew it would be a waste of money. So I took piano lessons one week and organ lessons the alternate week from my father.
        Although I was basically a good kid, I was somewhat rebellious, more passively than overtly. Taking lessons from him was probably not a good idea. I ended up resenting my father for forcing me to take lessons and my mother for forcing me to practice when I had little interest in music. I ended up disliking my parents, my father in particular, for many years.

        One day in the middle of my senior year of high school, during an organ lesson that was going badly, my father threw up his hands, and yelled, “I give up.”
        It was one of the happiest days of my life. My music lessons ended that day.

        To this day, I don’t play an instrument. I don’t mind listening to a piano, but I detest organ music.
(©2008, C.J. Peiffer)