Showing posts with label shadow. Show all posts
Showing posts with label shadow. Show all posts

Sunday, February 21, 2010

SNOW SHADOWS

(click on images for larger views)

These images are in response to

Click on the link to post your own image

or see what others have posted.


The day after the blizzard that dumped 23 inches of snow in our yard, the sun came out and the snow, reflecting the cloudless sky, turned blue. Around 5:00 pm, when the sun was low in the sky, I snapped these shadow shots.



(©2009, C.J. Peiffer)

Sunday, August 23, 2009

COLLEGIATE SHADOWS

(Click on image for larger view.)

This image is in response to
Click on the link to post your own image
or see what others have posted.

At a conference a few weeks ago at Elmira College in NY, I snapped lots of photographs. One afternoon, I was walking from the parking lot, along a walkway beside the college library, when I saw these great shadows. The Elmira campus is lovely and the weather was beautiful, so I saw lots of shadows and will be posting more shadow shots from Elmira in the future.
(©2009, C.J. Peiffer)

Sunday, August 16, 2009

SPIRALED GLASS SHADOW

"Spirale"
1994
by
Lino Tagliapietro
(Italian)

This image is in response to
Click on the link to post your own image
or see what others have posted.

Last week, after attending a Mark Twain conference in Elmira, NY, I stopped at the Corning Museum of Glass on my way home. The museum houses a vast collection of historical glass which I have seen many times, but I especially like the ever-changing exhibits of contemporary works by glass artists from around the world. You will probably be seeing many of the works from the museum over the next few months because glass casts such unique and beautiful shadows.

Sunday, May 31, 2009

DAPPLED SPRING SHADOWS

"DAPPLED SPRING SHADOWS"
(click image for larger view)

This image is in response to

Click on the link to post your own image

or see what others have posted.


On a gorgeous, sunny, breezy spring day, I was doing laundry in the basement and opened the basement door to this scene. In the wind, the tree branches were dancing and making dappled patterns on the concrete next to the stair well that goes to the basement door. The hostas were in their bright green and white dresses ----and all was right with the world.

(Since the spell checker didn't seem to like "hostas" I checked the dictionary just to make sure I was spelling it correctly. The dictionary told me that "hosta" is an eastern Asian plant cultivated in the West for its shade-tolerant foliage and loose clusters of tubular mauve or white flowers. Also called "plantain lily.")


(©2009, C.J. Peiffer)

Sunday, May 24, 2009

NOT QUITE READY FOR A PICNIC

"NOT QUITE READY FOR A PICNIC"
(Click on the image for a larger view.)

This image is in response to
Click on the link to post your own image
or see what others have posted.

        Several weeks ago, while my husband and I walked in a popular park, I snapped this shot of tables under the roof of a picnic shelter. It was a bright, sunny day, but the temperature was still in the 40s, way too cold for a picnic.

(©2009, C.J. Peiffer)

Sunday, May 10, 2009

BLOCKED SHADOWS


"BLOCKED SHADOWS"
(click on image for a larger view)

This image is in response to
Click on the link to post your own image
or see what others have posted.

        A small area surrounding our home in western PA is the only place I have ever seen ceramic blocks used for building, instead of concrete blocks.  The foundation of our 100-year-old home is made with ceramic blocks, as are a tool shed and a huge garage that was once a sulky barn for a nearby harness-racing track (long gone.) Many old commercial buildings in our area are made from the ceramic blocks, as well as a few silos. 
        The blocks have been salt glazed. Instead of applying a liquid mixture of minerals that will turn to a glassy glaze in a kiln,  salt is thrown into the kiln once it reaches the desired temperature.  The salt immediately vaporizes coating everything in the kiln with a thin glaze. In the process, dangerous chlorine gas is emitted ---and that is why the kiln must be outdoors. Today kilns used for salt glazing pottery are usually fueled with natural gas, but 100 years ago they may have been fueled by wood fires.
        The resulting blocks come in various shades, ranging from pale yellow through tan to a deep reddish brown and have a texture that somewhat resembles that of an orange peel. 
        The process is very unpredictable. Hotter areas, where flames reach the pottery directly, usually result in glossier surfaces and richer hues. The timing of the introduction of salt into the kiln, the moisture content of the salt, how much salt glaze is on the inside surface of the kiln from past firings, how close a block is to flames in the kiln, the exact mineral content of the clay ---all make a difference in the outcome.
        I like the warm and varied shades of the blocks ---so much more interesting than plain gray concrete ---but after 100 years the mortar holding them together is deteriorating in some areas. With time, shifting has caused a few of the blocks to crack. It is advised not to leave salt-glazed pottery outside in freezing temperatures. Obviously, our ceramic blocks have seen 100 winters of freezing weather. 
        One reason why this might have been a common way to make building blocks in our local area, is that salt-glazed ceramics were first created in Germany in the 1500s. No one knows if the first instance was an intentional or accidental occurrence. German immigrants to America used the technique to make crocks for storing food and liquids. The soil in the town where I live has high clay content and this area was settled by German immigrants who probably brought knowledge of the technique with them.    
        Even with shifting populations, about 80 percent of the population in our town has German roots. When we moved here 22 years ago, we didn't know that, yet between my husband and I, we have 5 grandparents of German descent.
        In the mid 20th century, salt glazing was adopted and perfected by Japanese and American potters to create beautiful works of art.

        Click HERE to see examples of salt-glazed pottery by Tom Davidson of Youngstown, OH. By clicking on the images to enlarge them, one can see the  'orange peel' texture on some of the individual ceramic pieces. 
(text & photo, ©2009 C.J. Peiffer)

Sunday, April 26, 2009

FIVE TULIPS - Shadow Shot Sunday

"FIVE TULIPS"
(click on image for larger version)

This image is in response to
Click on the link to post your own image
or see what others have posted.

        Late on the afternoon on 4/23/09, these brilliant red tulips blooming in my yard were just begging for a photo to be taken for Shadow Shot Sunday. Our tulips and daffodils were particularly lovely this year.

(photo & text, ©2009 C.J. Peiffer)

JOIN BY SUBMITTING YOUR OWN SHADOW SHOT

Sunday, April 5, 2009

LIGHT AND SHADE - Shadow Shot


"LIGHT AND SHADE"
(photo & text, ©2009, C.J. Peiffer)

This image is in response to
Click on the link and post your own photo
or see what others have posted.

        The window above our kitchen sink faces west. On a sunny day, the light can nearly blind one working at the sink, and on hot summer days the room becomes unbearably hot, so we put up this reed shade. There are shelves in the window so you can see the shadows of some the things that collect there, even though you probably won't recognize them from the shadows.
JOIN IN BY SUBMITTING YOUR OWN SHADOW SHOT:



Addendum added 4/27/09:
        For those who wondered what was behind the shade: On the bottom shelf, we keep odd cleaning items like a box of Brillo pads, bottle brushes and a spinning scrubber, also empty bottles. The top shelf is filled with cow creamers. The middle shelf also has cow creamers, plus two cow-shaped cutting boards. If you wonder why cows, see my previous post: The Bovine Comedy.